Abū’l-barakāt Al-baghdādī’s Metaphysical Philosophy: The Kitāb Al-mu‘tabar

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Abū’l-Barakāt is a renowned philosopher of the Arabic-Jewish milieu who composed in his magnum opus the Kitāb al-Mu‘tabar, a comprehensive metaphysics which challenged the accepted notions of the traditional metaphysical philosophy.

‘Abū’l-Barakāt al-Baghdādī’s Metaphysical Philosophy’ examines the novel philosophical conceptions of the first book of the Metaphysics of the Kitāb al-Mu‘tabar. The aim is to present a developed conception of Abū’l-Barakāt’s systematic metaphysics. This is accomplished by following the order of topics discussed, while translating the relevant passages. These different topics comprise stages of cognition that move from an analysis of time, creation and causality to the conception of a higher spiritual realm of mental entities and a conception of God as the First Knower and Teacher. The epistemological and ontological conceptions are analyzed at each culminating stage.

‘Abū’l-Barakāt al-Baghdādī’s Metaphysical Philosophy’ analyzes vast portions of the metaphysical study for the first time. The book will thus be a valuable resource for all those seeking an original and broad metaphysics, and for students and scholars of Jewish and Islamic Philosophy. Furthermore, it is of importance for those seeking a metaphysics related to scientific theories and those interested in the history of science and metaphysics.

Immediacy And Meaning : J. K. Huysmans And The Immemorial Origin Of Metaphysics

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Immediacy and Meaning seeks to approach the odd uneasiness at root in all metaphysical meaning; that the human knower attempts to mediate what cannot be mediated; that there is a pre-cognitive immemorial immediacy to Being that renders its participants irreducible, incommunicable and personal. The dilemma of metaphysics rests on the relationship between the spectator and the player, both as essential responses to the immediacy of Being. Immediacy and Meaning is an attempt to pause, but without retreat, to be a spectator within the game, to gain access into this immediate Presence, for a moment only perhaps, before the signatory failure into metaphysical language returns us to the mediated. J. K. Huysman's semi-autobiographical tetralogy anchors this book as a meditation, neither purely poetic nor only philosophical; it claims a unique territory when attempting to speak what cannot be spoken. The unnerving merits of nominalism, the difficulties of an honest appraisal of efficacious prayer, the mad sanity of the muse, the relationship between the uncreated and the created, and an originary ethics of antagonism, each serves to clarify the formation of a new epistemology.